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Author Archives: Mallory F

The Bell Jar by Sylvia Plath

31 Friday Jul 2009

Posted by Mallory F in Reviews

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books, depression, literature, Reviews

The Bell Jar by Sylvia Plath

The Bell Jar by Sylvia Plath

I spent a while–probably a year or so–being quite intrigued by Sylvia Plath before I finally picked up this book.  If you don’t know, Plath was a prominent poet in the 1950’s/60’s.  She was married to Ted Hughes, and had a history of depression.  (I’d probably be depressed, too, if I was married to Ted Hughes.  Have you seen that guy?)  In 1963 she published The Bell Jar, a semi-autobiographical novel.  Three weeks later, she stuck her head in an oven.  Like so many suffering artists, she gained more fame in death than she ever had while alive–in 1982, she won the Pulitzer Prize for The Collected Poems.

The Bell Jar is narrated by Esther Greenwood, a Smith College student who has won a summer internship at a women’s magazine in New York City.  She quickly discovers that city life isn’t all she’d hoped for, and furthermore that she is far from living up to her own standards.  Esther spirals into suicidal depression, and is institutionalized.  With her loved ones keeping a close eye on her, Esther has to decide if life is worth living.

I had one of my professors tell me that knowledge of poetry will immensely improve one’s prose.  Well, Sylvia Plath was a poet first and foremost, and it definitely shows in her writing.  She uses a lot of metaphor, but manages to do it without being flowery or pretentious.  The bell jar alluded to in the title, for instance, is used as a metaphor for the stagnance that she feels in her life, and the lives of those around her.

I also appreciated how well she was able to make the book flow.  Throughout the book, Plath deviates often from present events to give background stories, and background stories of background stories.  Yet these tangents aren’t distracting.  They fit quite smoothly and naturally into the overall story.

I had mentioned in the first paragraph that this was a semi-autobiographical novel.  Well, they say to write what you know, and Plath did so.  Many events related in the book were inspired by true events in the author’s life.  The internship in New York, her broken leg, her first suicide attempt, and the boyfriend with tuberculosis  were all drawn from Sylvia Plath’s real life.

So the language and imagery were beautifully exectuted.  I found this novel to be nearly flawless.  Yet I wasn’t totally drawn in by the plot.  I kept expecting more dramatic events that were never really delivered.  I can’t say that I was disappointed, because I don’t know what I really expected.  But even with all its good points, I don’t see it being particularly memorable plot-wise.  An example of impeccable writing, yes.  But I wasn’t left thinking about Esther Greenwood for days afterward, as has happened to me with characters in the novels I’ve loved the most.

I think that anyone who is really interested in writing should read this book.  Let Sylvia Plath show you how it’s done.

Neverwhere by Neil Gaiman

24 Friday Jul 2009

Posted by Mallory F in Reviews

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books, fantasy, Reviews

Neverwhere by Neil Gaiman

Neverwhere by Neil Gaiman

I didn’t mean to read this book.  I picked it up at Goodwill for $0.50, having recognized it as perhaps the one book there that wasn’t a grocery store romance novel, or an outdated programming manual.  It sat under my bed for a couple of months, until I found it during one of my rare cleaning excursions.  So I pushed back three other novels I’d been planning to read, and started in on this.  I have to say, it kept me interested.  I was amazed at how fast I got through it.  And now I suppose you’re waiting for me to say, “But…”  Stay tuned, kittens.

Neverwhere starts out with a gentleman named Richard Mayhew, an average guy living in London with an average job, an overbearing fiance, and an overall unperturbed life.  Until one day he stumbles over a young girl bleeding on the sidewalk.  After helping her, he finds that not only is he all but invisible to the world he knows, but he and the girl (named Door) are also being pursued by the two most efficient and macabre mercenary murderers in London Below.  As they search for the person at the root of this business, Richard will discover things about himself that the London-Above Richard never would have thought possible.

The good:  Neverwhere kept me turning the pages.  Gaiman has a very engaging writing style, so that even if you don’t particularly like the story, you still want to finish it.

A lot of the characters were immensely enjoyable.  Croup and Vandemar, the villainous mercenaries, really made the book for me.  Door was very interesting, too, in her own quiet, girlish way.  Really, the backdrop of London Below was the most enjoyable character in the whole book.  I really savored getting to know its quirks and surprises.  It was like a dirty, mangy puppy that you know you should stay away from, but you can’t help inviting into your home.

The bad:  Now, admittedly, I haven’t read a lot of Gaiman’s work.  But it seems that, between this and American Gods, he tends to like using the same general template for a main character:  A dull, uninteresting guy who finds himself thrown into a land of fantasy, and ends up fitting into it pretty well, actually.  I didn’t like Shadow from American Gods, and I don’t like Richard Mayhew, either.  Neither of them were particularly exciting or well-developed characters.  It seems like Gaiman makes really great supporting characters, but totally flops with the main characters.

Other that that, Neverwhere was pretty predictable.  It didn’t really throw me any curve balls.  That’s not necessarily a bad thing, but it doesn’t add points either.  Overall, a nice light read, if you don’t mind a main character who you want to reach into the pages and slap.

In The Woods by Tana French

05 Sunday Jul 2009

Posted by Mallory F in Reviews

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books, murder, mystery, Reviews

In The Woods by Tana French

In The Woods by Tana French

I picked this book up from the best seller table at Borders, because I wanted to take a chance and read something I’d never heard of. The plot sounded interesting. But I’ll be honest. I thought it was going to be your run-of-the-mill murder mystery in which the male and female partner detectives get a once-in-a-lifetime case, run through a bunch of bogus leads, fall in love along the way, find that the unlikely killer was right in front of their face the whole time, and become better people for the whole experience. But In The Woods surprised me.  It wasn’t an altogether pleasant surprise, mind you, but a surprise nonetheless.

Detective Rob Ryan has a hidden past, which all comes rushing back to him when he and his partner, Cassie Maddox, are handed the case of a murdered child in the woods near the Knocknaree estate.  It was in these same woods that Ryan and his two childhood friends went missing.  Ryan was found, clinging to a tree and wearing blood-soaked sneakers, catatonic and unable to remember anything.  The two other children were never found, and the unresolved case files sit collecting dust in the basement of the same building where Ryan now works.  While searching for Katy Devlin’s killer, Ryan struggles to remember what happened to him and his friends that summer, and deals with the fact that finding out may derail his life and his career.

French’s style of writing was easy to get lost in.  Her expertise in conveying emotion and atmosphere made In The Woods a fairly enjoyable read.  An adult who has blotted a traumatic experience from his mind, only to recall it at the most opportune time, is great story fodder.  But it’s not entirely realistic.  French was clearly aware of this, and doesn’t easily give up the answers her readers are looking for.  I applaud her for that.

There were instances during my reading of this book where I thought I knew exactly where it was going.  I would peg a character and say, “Oh, that’s the killer!  How predictable!”  Then French would throw me a curve ball, and I’d be scratching my head, and turning the pages with bated breath to find out where she would go with it next.

Unfortunately, I can’t totally praise this book.  I’ll come right out and say that I hated the narrator, Detective Ryan.  He was an idiot and a hack.  I really enjoy novels where, even if I don’t like the characters, I can at least sympathize with them.  I couldn’t sympathize with Ryan at all.  He came off as fairly smart sometimes, then made completely idiotic, unprofessional decisions.  If he was a real person, I highly doubt he would have gotten any further in his career than mall security cop.

My one other problem with In The Woods was how characters sometimes seemed to act out-of-character for the sake of the plot.  This was glaringly evident to me in the scene where Detective Maddox was trying to coerce a confession out of the killer.  I said to myself, “Come on, this character isn’t that stupid.”  I felt that perhaps French was getting tired of the roundabout investigation and just wanted to speed the ending up.  Fair enough.  It was a pretty long book.

All said and done, I felt that In The Woods left a lot of loose ends that I, as a reader, would like to have seen resolved.  Though those nagging what-ifs are probably what will make the book memorable to me.  Compared to what I was expecting, I’d say that my complaints about In The Woods are pretty minor, and that if you ever have a night to yourself, you should cozy up on your couch and pick up this book.  It’s worth the read.

The Melancholy of Haruhi Suzumiya by Nagaru Tanigawa

18 Thursday Jun 2009

Posted by Mallory F in Reviews

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books, fantasy, manga, Reviews

The Melancholy of Haruhi Suzumiya by Nagaru Tanigawa

The Melancholy of Haruhi Suzumiya by Nagaru Tanigawa

I’ve never been a big fan of manga, which is probably why I’d never heard of this novel until quite recently.  Apparently, it’s more or less the Japanese incarnation of Twilight.  Not so much because of vampires and romance, but moreso because it’s a sub-par novel that has become an international craze.  At least enough of a craze for its English translation to have a display near the front of Borders.  When I mentioned it to my manga-nerd friends, they knew exactly what I was talking about.  The novel has been adapted into a graphic novel, as well as an animated TV show.  I figured it was about time for me to get my claws into it.

The plot of the novel caught my eye, and was the reason I picked it up in the first place.  The narrator, Kyon, attends his first day of high school and meets Haruhi Suzumiya, a beautiful and sour young lady who soon becomes infamous for her strange behavior and self-proclaimed disinterest in “ordinary humans.”  Together, Kyon and Haruhi start up the SOS Brigade, whose aim is to find espers, aliens, and time-travelers.  More importantly, the SOS Brigade is supposed to keep Haruhi occupied so that she won’t destroy the world with the amazing power that she unknowingly wields.  As Kyon gets dragged along for the ride, he discovers that his life is not as ordinary that he thinks, and probably never will be ordinary again.

My biggest beef with this novel is how much it tells and how little it shows.  I don’t want Tanigawa to tell me that Haruhi is angry.  I want to figure out that she’s angry by the way she slams her books on the desk.  I don’t want Kyon to say that he’s hot, I want the imagery of his sweat-soaked school uniform.  The lack of this type of description made the book very boring for me, and it took me over two weeks to finish its 224 pages, just because I couldn’t read more than a few without losing interest.

Beef number two was the overuse of similes.  Tanigawa is apparently very fond of them, and they’re not particularly good similes.  Sometimes there were several in the same paragraph (like college kids crammed into a phone booth?).

I was disappointed.  The premise of the novel was very good.  There were times when the novel surprised me with phenomenal insight just when I was about to throw it in the trash.  Unfortunately, Tanigawa failed to expand on the more interesting aspects of the plot, and mostly stuck to describing the characters mundane day-to-day school lives in lifeless detail.

One more thing, it irked me how every main character in The Melancholy of Haruhi Suzumiya seemed to be uncommonly beautiful.  I like to see flaws in my characters.  It makes them more real.  Mikuru Asahina could have had a crooked nose from a childhood accident.  Or Haruhi could have had frizzy, untameable hair.  But they didn’t.  Tanigawa described them all as being close to perfection, and that annoyed me to no end.

Why are you so popular, Haruhi?  Maybe I’ll just never understand what draws the masses.  At any rate, this will probably be the last time for a while that I’ll try anything manga-related.

Bonk: The Curious Coupling of Science and Sex by Mary Roach

04 Thursday Jun 2009

Posted by Mallory F in Reviews

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books, nonfiction, Reviews, sex

Bonk by Mary Roach

Bonk by Mary Roach

Anyone close to me will know that I talk pretty openly about sex, not only because I enjoy participating, but also because it is a subject that I find immensely fascinating.  I could totally see myself becoming a sex therapist one day.  So when I heard that Mary Roach had written a book on sexual studies, I was dancing with anticipation.  Of course, cheap bastard that I am, I had to wait until it came out in paperback before I actually bought it (though after leaving my first copy on the roof of my car and having to buy another one, it turns out I would have been better off buying it sooner in hardcover).  At any rate, I was not disappointed.  This book had me alternately giggling out loud and uttering thoughtful exclamations of, “Huh!”  Roach really is the queen of investigative literature.

Bonk explores a wide spectrum of questions about sex and sexuality:  Is masturbation good for you?  Does female orgasm serve a purpose?  Why can’t some men get it up?  It takes the reader through centuries of sex research, dating from the ancient Greek belief that conception involved a mingling of male and female ejaculate, all the way up to today’s high-tech female version of the penis pump.  I really enjoyed the footnotes, which, though usually off-topic, were extremely informative and hilarious.

This book also casts light on the difficulties involved in researching sex.  How does one perform sexual studies without coming off as a pervert?  Even today it’s a very difficult thing to do, and sex research labs often find themselves strapped for support and/or funding.  It’s amazing that we’ve discovered as much as we have.  Yet, even with all the remaining stigmas, there are still those brave souls who have taken it as their duty to make sex not only more understood, but more pleasurable as well.  Great big huge thanks to all of them!

My only issue with this book was that the chapters seemed to ramble from one subject to the next.  First Roach would be talking about one study, and then branch off into a totally different study, without any really obvious goal.  It was difficult to keep straight which studies had come out successfully, and which were proven false by further research.

Altogether, I thoroughly enjoyed Bonk, and can’t wait for Roach’s next book.  This time I’ll even buy it in hardcover.

Pygmy by Chuck Palahniuk

13 Wednesday May 2009

Posted by Mallory F in Reviews

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books, literature, Palahniuk, Reviews

Pygmy by Chuck Palahniuk

Pygmy by Chuck Palahniuk

Finally, I got around to reading and reviewing a recent book.  Feels good to be with the times.  Though I have to admit that I wouldn’t have gone anywhere near the new releases table if I hadn’t been anxiously anticipating this book for the past year.  Ol’ Chuck is one of the few authors whose entire bibliography I’ve taken the time to read.  He has rarely disappointed me.  I was nervous about this novel, because his previous novel Snuff was one of those rare disappointments.  Fortunately, Pygmy was mostly satisfying.  I’m glad that I picked it up right away.

Pygmy is told by a boy raised in an unnamed totalitarian state, conditioned to hate capitalism and everything else American, and trained as an elite operative in a secret plot to wreak havoc upon the US.  Masquerading as a foreign exchange student, Pygmy and his fellow operatives work together to implement Operation Havoc.  What follows is an exaggerated commentary on American culture that is by turns hilarious, sickening, and sobering.

I was initially a little turned off of this book by the language.  It reads like it was written by a person who has memorized the English dictionary, but who has had no instruction in English grammar.  It took a little while to get used to.  Here’s an example:

“Only one step with foot, operative me to defile security of degenerate American snake nest.  Den of evil.  Hive of corruption.  Host family of operative me waiting, host arms elbow bent to flutter host fingers in attention of this agent.  Host family shouting, arms above with wiggling finger.”

Yes, the entire book is written like that.  There were a lot of paragraphs I had to go back and re-read, and that was a little bit frustrating.  But after the first couple chapters, the narrator’s dialect is more familiar, and it’s a little easier to get through.

It’s easy to love our misguided narrator, Pygmy.  Despite his anti-American, no-mercy training, he has a soft heart.  He also has a rather dark sense of humor.  He’s not a robot terrorist.  He’s very human.

This novel says a lot about the absurdity of American habits and customs, but it says an equal amount about the absurdity of anti-American factions who believe that we’re the devil.  Both sides are comically exaggerated, but there is a biting tang of truth contained within.  It’s not an anti-American novel (though it seems like a lot of readers have been disappointed by that).  It skirts being actual social commentary, and ends up being…well…just a novel.  And I am happy with that.  If I want blistering social commentary, I’ll pick up the opinion page of my local paper.

It took me until the very end (like, seriously, the very last page) to figure out if I liked Pygmy or not.  I couldn’t tell how Palahniuk would choose to end things, and it almost seemed like it was a snap decision on his part.  I won’t say how it ends, but I wouldn’t be surprised if there was an alternate final page floating around in Chuck’s personal notes.  Up until that point, it seemed like things could go either way.  I was satisfied with the ending, though, and it swung my Enjoy-O-Meter slightly into the Enjoyment zone.

I do think that Pygmy falls short of the high bar set by of some of Palahniuk’s earlier work.  I think he would have a hard time topping Lullaby or Choke.  While the broken English format was amusing, it was unnecessary and took away from the story.  That was my main complaint.  But Pygmy wasn’t bad, and I’m not sorry I picked it up.  Couldn’t say the same for Snuff.

Geek Love by Katherine Dunn

06 Wednesday May 2009

Posted by Mallory F in Reviews

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books, literature, Reviews

Geek Love by Katherine Dunn

Geek Love by Katherine Dunn

If you judged by the title, you would probably think that Geek Love was a romance about Dungeons and Dragons or hacking.  Yeah, it’s not.  I’ll tell you right now, there is little to no romance in this novel, and the word “geek” doesn’t mean what you probably think it means.  Did you know that the word geek used to mean a performer who bit the heads off chickens or other small animals?  Yeah, I didn’t.  It confused me a little at first.

Geek Love chronicles the life and trials of the Binewski family.  Having inherited a failing carnival from his father, Al Binewski decides to take matters into his own hands by genetically engineering his own freak show offspring.  Experiments on his wife with radiation and poisons yield up Arturo the Aqua Boy, Siamese twins Electra and Iphigenia, Olympia the hunchbacked albino dwarf, and Fortunato (otherwise known as Chick) whose specialties aren’t so immediately apparent.  We see the traveling carnival through Olympia’s eyes:  the redheaded girls who run the midway; the gradual transition of power from Al to Arty, as the Aqua Boy gains a faithful following of his own; the dueling personalities of the musical twins; Chick’s potentially devastating power counterbalanced by his wish to please everyone, and his fear of doing harm.  As the children grow up and the carnival begins to change, conflict mounts with Arty’s ambition to control every aspect of the carnival, including the lives of the people in it.

Dunn’s ability to make the reader feel for the characters was very impressive, although most of the characters were anything but lovable.  They all had very apparent flaws.  Arty was self-centered and controlling.  Elly had a hair-trigger temper.  Olympia was effectively a human doormat, and so was Iphy to a lesser degree.  Chick was extremely fragile and afraid of offending or hurting anyone, or even of allowing them to feel pain.  The reader begins to understand (if not agree with) each character on a personal level, and to feel for each one.  This is the type of book that will stick with you long after you’ve read the last page, and the characters will linger in the back of your mind for days, like paper ghosts.

Throughout the book, mingled with the character drama and poignant commentary on what truly makes a person freakish, is a steadily growing feeling of helplessness as the reader watches everything comfortable and familiar to the Binewskis slip away.  This is especially apparent from Oly’s viewpoint, as she seems to be the person who changes the least over the course of the story.  While the twins mature, Arty becomes more immersed in his amputee cult, Chick uses his supernatural talents to become a surgeon, and their mother Crystal Lil sinks into dementia, Oly keeps to her duties as the family workhorse.  At the ending climax, the reader finds himself wondering how things went so far off track.

I have to say that I adored this book.  However, even with as much thought and detail as was put into the rest of the novel, the ending was extremely abrupt.  The reader is left wondering, “Whoa, what happened?”  The entire climax is summed up in only a couple pages, with very little explanation given for the events that took place.  It segues awkwardly into a story that, up until that point, has been deliciously detailed and thoughtful.  It’s like ending a rich, gourmet meal with cheese-whiz on crackers.  It cheapened an otherwise wonderful piece of literature.

Other than the ending, I can’t say that I have any complaints against Geek Love.  It was a terrific, tragic tale.  I can see it becoming an all-time favorite in my library.

The Learners by Chip Kidd

21 Tuesday Apr 2009

Posted by Mallory F in Reviews

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books, graphic design, literature, Reviews

The Learners by Chip Kidd

The Learners by Chip Kidd

If you’ve heard the name Chip Kidd before, it’s probably because you’ve read a book he’s worked on.  Not that he’s written many books; he’s only added the profession of author to his resume in the last couple years.  But he has gained notoriety by designing book jackets for everyone from Michael Crichton to David Sedaris, and some authors have him exclusively under contract to design their book covers.  He’s been called the closest thing to a rock star in graphic design.  This guy is good at what he does.  The Learners is his second novel, and though he displays a skill with words as adept as that with which he wields a drawing pencil, The Learners leaves readers feeling somehow unfulfilled.

The Learners is set in New Haven, Connecticut in the early 1960’s.  If you’re a psychology student, you might remember that this was the same time and place in which Stanley Milgram did his obedience experiments at Yale (you know, the ones where a person would have to ask questions and administer shocks of increasing voltage for each wrong answer, unaware that the person screaming in pain in the next room was really an actor).  Anywho, the story deals with Happy, a graphic design major who finds himself a job at an advertising agency in the Yale town.  After designing Milgram’s ad, Happy becomes intrigued with the experiment when he learns of its connection to a deceased college sweetheart.  He becomes a participant, and then deals with the horrible realization that he may be capable of murder.

This book had a lot of potential, but it never really paid off.  The characters were great (Sketch, the artistic genius who never really went anywhere, and Tip, the inquisitive, sexually ambiguous writer).  Kidd offers a lot of insight to the human psyche, and its response to content and appearance.  The scenes were beautifully described, with the right twists of humor and ambiance.  I even enjoyed the dialogue, which was sprinkled with natural nuances that most authors ignore.  However, it just never goes anywhere.  Just as the plot begins to pick up, the novel ends, and you’re left with a feeling of, “Now what?”

I would really like to see Kidd attempt a more involved storyline, and I’m still interested to read The Cheese Monkeys, his prequel to The Learners (they don’t have to be read together; I didn’t feel at any point during the story that I was missing any vital information by not reading the first novel).  This is certainly an author that I want to keep an eye on.  I really think that if he puts more into a plot, he could be as famous in the world of literature as he is in the world of graphic design.

The Wasp Factory by Iain M. Banks

06 Monday Apr 2009

Posted by Mallory F in Reviews

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books, horror, literature, Reviews

The Wasp Factory by Iain M. Banks

The Wasp Factory by Iain M. Banks

I picked up this book because I saw it included in a list of most disturbing books.  At first, I couldn’t figure out why.  In the beginning, I found it to be a little overly-detailed (really, I don’t need to know the details of the main character’s bathroom habits, especially if they don’t add anything to the story).  As the story progressed, I understood a bit more.  It’s a tale about a very fucked up individual who does a lot of very fucked up things.  Sadly, though, there’s not much more of a plot than that, and The Wasp Factory just kinda fizzles out like a dud firecracker.

Frank Cauldhamme lives alone with his father on an island.  Sometimes he goes into town to buy supplies, or to get drunk with his dwarf friend Jamie.  But for the most part he occupies himself with rituals.  Checking and refreshing his sacrifice poles.  Regular warfare against the rabbit population.  And a daily sacrifice to The Factory, which may warn him of impending danger.  Frank’s routine is interrupted when he hears of his brother’s escape from the insane asylum a few towns over.  As he prepares for his brother’s return, Frank discovers things that may forever change the way he sees the world and himself.

The Wasp Factory was slow to get going, and didn’t really start holding my attention until about 3/4 of the way through the book.  And though it did get a little more exciting toward the end, it doesn’t make up for the lack of plot.  There are a lot of flashbacks, a lot of talk about Frank’s personal philosophy, and a lot of explanation of his bizarre rituals.  But the only progressing thread throughout the book is the slow journey of Frank’s brother Eric, which the reader only hears about in short phone calls.  And even that part of the story, which you’re expecting to come to some spectacular climax, has almost no payoff.

I enjoyed some of the ironies of the story. How the narrator, an individual with some deep-seated mental issues, regularly refers to his disturbed brother as insane. Also, the little detail of the narrator’s hatred for women, and how it clashes with his eventual discovery of his true identity.

Overall, The Wasp Factory was well-written and memorable, though I would have enjoyed it more if it had had more relevant plot substance.

House of Leaves by Mark Z. Danielewski

30 Monday Mar 2009

Posted by Mallory F in Reviews

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Tags

books, experimental fiction, horror, Reviews, suspense

I just want to know, why the hell didn’t someone tell me about this book before?  I have to say that when I first heard about it recently, I was extremely intrigued by the concept and couldn’t wait to read it.  And when all is said and done, I honestly don’t know if I loved or hated this novel.

Imagine a house that is larger on the inside than it is on the outside. Not only that, the house also changes and moves as it pleases. This is the setting for The Navidson Record, a film created by photojournalist Will Navidson when he moves to Ash Tree Lane with his partner Karen Green and their two children. At first, the house is a dream come true, their ticket to a new and peaceful life as a real family. Then they notice the door. It should lead to their back yard. But it doesn’t. It leads to a dark, cold hallway, which leads to dark, cold, featureless rooms, more hallways, and a spiral staircase that seems to have no end. Navidson begins organizing explorations of the house, which are at first tantalizing and maddening. As they go on, however, Navidson will find that the house takes away more than it gives up.

House of Leaves is written in the format of a researched thesis on The Navidson Record complete with footnotes, appendices, and an extensive index. Well, that’s pretty cool for a work of fiction. Danielewski must have put a lot of patience and diligent work into this. Oh, look at that, colored words and backwards text. Intriguing. I especially like how the text format during the explorations mirrors the claustrophobia and remoteness of the depths of the house (i.e. small boxes of text getting smaller as Navidson crawls down a narrowing tunnel). That’s pretty nifty, really gets you into the story. And coded messages? Wowee!

No, seriously, this book drove me nuts. I don’t have the words to tell you how it frustrated and overwhelmed me. Not the format, that part was actually pretty cool. I can dig the skewed/flipped paragraphs and oddly arranged text. And I even thought I did a pretty good job keeping up with the multiple story lines. It was more the part where the story would really get going, and then Danielewski would throw in twenty pages about the legends of the Minotaur, or about the myth and mechanics of echoes. The footnotes, while a neat touch, were often just distracting and irrelevant. The story skips around a lot, and it’s difficult to keep all the facts straight. I feel like I should have been taking notes while reading it. Not to mention how many unanswered questions the story leaves you with.

I loved the story itself. It was haunting and suspenseful, and even with all the loose ends it left, I enjoyed the ending. I’ll probably read it again, because as much as it drove me crazy, I did appreciate it.  Danielewski has some real talent, and once I’ve recovered from his first clusterfuck of a book, I would like to check out more of his work.  I would recommend it to anyone who enjoys a challenge in their reading. And if this review seems lackluster at all, it’s because House of Leaves has left my brains scrambled.

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